All Caspar David Friedrich Oil Paintings

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
 
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Caspar David Friedrich The Crow 1 oil on canvas


The Crow 1
The Crow 1
Painting ID::  1267 		 
 

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Caspar David Friedrich Chalk Cliffs on Rugen oil on canvas


Chalk Cliffs on Rugen
Chalk Cliffs on Rugen
Painting ID::  1268 		  1818 Oskar Reinhart Foundation, Winterthur
  1818 Oskar Reinhart Foundation, Winterthur

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Caspar David Friedrich Cloister Cemetery in the Snow oil on canvas


Cloister Cemetery in the Snow
Cloister Cemetery in the Snow
Painting ID::  1269 		  Destroyed in 1945 in Berlin
  Destroyed in 1945 in Berlin

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Caspar David Friedrich The Tree of Crows oil on canvas


The Tree of Crows
The Tree of Crows
Painting ID::  1270 		  1822 Musee du Louvre,Paris
  1822 Musee du Louvre,Paris

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Caspar David Friedrich Woman on the Beach of Rugen 4 oil on canvas


Woman on the Beach of Rugen 4
Woman on the Beach of Rugen 4
Painting ID::  1271 		  1818 Oskar Reinhart Foundation, Winterthur
  1818 Oskar Reinhart Foundation, Winterthur

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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